Today I worked with Atelier by GRM Tools again – a fascinating software for sound design and manipulation!
The source material is a 6-second field recording of an elevator beeping and doors closing.
experimental music & digital art

Today I worked with Atelier by GRM Tools again – a fascinating software for sound design and manipulation!
The source material is a 6-second field recording of an elevator beeping and doors closing.
today, a low-frequency dirty sequence using the verbos harmonic oscillator.
after my jam session yesterday on the hardware benjolin – today a little rhytmic jam with the digital version in
vcv rack.
For today’s jam session, I used the Benjolin (developed by the sadly deceased Rob Hordijk) in the Epoch Modular version.
It’s a feedback loop where the two pulse and triangle outputs go into a matrix mixer, which then controls the two oscillators, the filter, and the loop offset.
It is one of my oldest modules, yet one that always surprises me, never gets boring, and always wants to be explored anew.
Patches like these are always a search for the hidden magic sounds in between.
Headphones recommended! No additional effects.
My jam session today with the moog dfam and moog spectravox. I haven’t had much time to explore the spectravox yet, but I think it has a lot of potential for creating unusual and interesting sounds. Not visible in the video is the makenoise 0-ctrl, which I’m using to additionally sequence the two Moogs.
Headphones recommended! No additional effects.
A jam session with my #doepfer dark energy and its sequencer dark time. The jam is unedited. The only sound source is the doepfer dark energy – no effects. The dark energy was my first analog synthesizer and my entry into the modular universe about 15 years ago. I didn’t keep it just out of nostalgia, though; I think it’s still an exceptionally versatile and extremely good-sounding synth in its class.